Monday, June 23, 2008

Author Interview - Ammini Ramachandran, Grains, Greens and grated coconuts - Recipes and Remembrances of a Vegetarian Legacy.



Ammini Ramachandran took a rather meandering route to the world of food writing. After clocking in over two decades in a career in finance, She now spends time researching, cooking and writing about the cuisine and culture of her home state of Kerala in India. In March 2007, she published Grains, Greens, and Grated Coconuts: Recipes and Remembrances of a Vegetarian Legacy. An excellent book that went on to receive endorsements from several well known food writers around the world and be celebrated by the New York times.

RMG: Tell us a bit about your background.
AR: I was born and raised in Kerala and moved to the United States in 1971. A chemistry graduate from Kerala University, I studied finance in the United States and received an MBA from Southern Methodist University in Dallas, Texas. I worked as a financial analyst in international banking until 2001. I took a rather meandering route to the world of food writing. Writing was always my hobby. After Sep 11, 2001, I took early retirement and decided to pursue writing. After spending over two decades in a career in finance, today I spend my time researching, cooking and writing about the cuisine and culture of my home state Kerala.
RMG:     How did you become interested in cooking?
AR: I got into cooking out of sheer necessity. When I came to the US in the 1970's, there were no Indian grocery stores in Rhode Island where we lived. The closest store was in New York City, some two hundred miles away. Vegetarian food was not popular in America at that time. Being a strict vegetarian, I had to learn to cook in a hurry if I wanted to eat Indian dishes. My mother's letters that came every week in the mail always contained a couple of recipes.  I learned to cook by referring to these recipes. During my many trips home, I learned more recipes from her and my extended family.  
RMG: When and how did food and its exploration become important?
AR: Today with most of the younger generation in my family living in the United States, I wanted them to remember the food prepared at their ancestral home, its history, and culture and started writing a family journal. After reading the initial drafts, the feedback I received from them, as well as their American friends, was most encouraging - They all wanted to read more about our history, and stories about our food.  This encouraged me to explore more about of food, history and culture. 
RMG: Why "Grains Greens and Grated coconuts?"
AR: A straightforward cookbook with only recipes was not my intention in writing this book. And so I did not want to give it a title that ended in "cookbook". When writing a book that brings the threads of history, geography, religion, tradition, and personal history together to present the food of my region in Kerala, a just recipes only book was not the way to go. Grains (rice and dals), greens (vegetables) and grated coconuts are the crucial ingredients in this cuisine and I felt that it would be an appropriate title.  
RMG: You have obviously given every aspect of the book meticulous attention. What were the criteria by which recipes went into your book?
AR: It was a very simple criteria- recipes for all the food that was cooked in my extended family, dishes that are traditional to the Hindu homes of central Kerala. This book by no means a complete collection of all Kerala vegetarian recipes. Several northern and southern Kerala recipes as well as specific vegetarian recipes of the Christian and Muslim communities of Kerala are not in this book.  
RMG: What made you decide to write a cookbook?
AR: As I said above I started a family journal documenting the culture and cuisine of Kerala.  After Sep 11, 2001, I decided to take early retirement from a career as financial analyst and decided to concentrate on writing about Kerala's food and culture. Slowly my family journal evolved into a web site - peppertrail.com and then to this book.   
RMG: Did you look to other cookbooks for inspiration?
AR: Most certainly I looked to several cookbooks for guidance. Ever since the late 1990's there is a growing interest in the United States in cookbooks that present ethnic cuisines against a backdrop of culinary history and culture. These titles also bring cuisines of the world into the modern kitchen in the form of balanced, unusual, and tasty recipes that are within the reach of any cook.  
Among these the truly exceptional and inspiring to me were - Frida's Fiestas: Recipes and Reminiscences of Life with Frida Kahlo, by Guadalupe Rivera and Marie-Pierre Colle, Splendid Table, by Lynne Rosetto Kasper, Gefilte Variations, by Jayne Cohen, and Italian Festival Foods, by Anne Bianchi, and The Food and Life of Oaxaca, by Zarela Martinez. My ambition was to write a book in a similar format about the practically unknown vegetarian cuisine of Kerala.
RMG: How did you set about working on this book?  Did you travel, meet people?  Spend hours in your own kitchen?
AR: How does a financial analyst go about writing a cookbook?  Of course I started with an excel spread sheet listing the various recipe categories – every day dishes, festival dishes, seasonal dishes, recipes that are special to my family. Then came sub categories – curries, dry vegetable dishes, pickles, chutneys- the list goes on.  A second spread sheet detailed who to contact for particular recipes.  
I already had a collection of recipes from mother. I taught myself to cook by referring to the recipes that my mother sent me every week in her letters. During my many visits home I also studied this traditional cuisine from native cooks who have lived and cooked in our region their entire lives. I have spent many fascinating hours listening and writing down their verbal culinary histories that go back hundreds of years. I also spent many hours researching about ancient Indian Ocean trade and its impact on Kerala's cuisine and culture.
Writing a book on Kerala cuisine, while living thousands of miles away from there, also posed a problem. It was especially difficult to reach older relatives via phone to ask any questions. So I enlisted the help of a research team - My sisters Girija Narayanan and Rathi Ramachandran and my cousin Usha Varma, my very patient research team, spent many hours collecting and writing old recipes and the oral history of our cultural traditions. I could not have finished this book without their help. This is as much their book as it is mine.  
Then came the recipe testing phase. While following my mother's recipes I had inadvertently followed her method of measuring ingredients by pinches and handfuls. Purchasing sets of measuring cups and spoons and redoing her recipes with measured quantities of ingredients was the next step- which needless to say took many months. Initially often I would forget to measure an ingredient midway through cooking, and had to start all over again. That was the most frustrating part of this phase. When it was impossible to find certain seasonal ingredients in the United States, again came my sisters and cousin to the rescue. They tested the recipes and reported back.    
Meanwhile I attended conferences and symposiums for food writers and took continuing education courses on food writing from the food studies department at New York University. I joined several professional organizations for food writers - International Association of Culinary Professionals, Slow Food USA, and Culinary Historians of New York. Through these organizations I learned about the "science" of recipe writing (how each recipe has to be organized beginning with the first ingredient you use in a recipe) and the value of head notes to recipes.   
RMG: Would you share some of your most pleasurable moments during research, interactions with cooks, food tastings, learning to cook?
AR: It was very amazing for me to see how the home cooks I spoke to responded with enthusiasm when I showed genuine interest in their recipes and cooking methods.  
There is young woman Lakshmi in my home town who cooks every day meals to a few elderly people in the neighborhood for a small fee. She also takes orders for snack foods and spice mixtures. All of the cooking is done in her own kitchen and she and her husband deliver the food. Her food is simple and delicious. My mother always asked her husband's aunt used to come and make the snack murukku in our home. Making this snack by hand is a dying art today. One day I went watch Lakshmi make murukku by hand. And we chatted as she sat on the floor twisting the dough into multi-layered circles of curly spirals on the cotton cloth spread on the floor. She asked me about how I cooked Indian food in America and what vegetables and fruits were available in the USA. I mentioned that good jackfruit is hard to come by and the best we could do is to use canned jackfruit from Thailand.  
I am a huge fan of her sambar powder and I had placed an order for it to bring it back to the USA. The day before I was leaving she came with a package. I did not get a chance to open it immediately. Later that evening when I was packing my bags I opened the brown paper bag, I was surprised to see a small stainless steel container inside. I opened with curiosity and it was full of homemade jackfruit jam, glistening with a coating of ghee. How thoughtful of her!  
RMG: What was most enjoyable about the process of writing your cookbook?
AR: Researching, writing, editing and publishing - it was a long haul. The enjoyable about the process was the satisfaction that I am finally getting around to documenting the food and culture of my community.  But the most enjoyable part came after it was published. I connected with so many wonderful people through this book. After an excerpt and a recipe were posted on Anothersubcontinent.com, the members started a thread devoted to 'Cooking with Grains, Greens, and Grated Coconuts'. Many of them posted photos of recipes they prepared, with Kavitha Ravi from Malaysia taking the lead to make sure that every single recipe was cooked, photographed and posted. The thread has evolved into an online full-color pictorial companion to the book's recipes.  
When the book won the Cordon D'Or award for best self published cookbook, I traveled to St. Petersburg for the award ceremony. And there was arunr (whom I had never met before), a member of anothersubcontinent forum, at the airport to welcome me. Although the award ceremony was held as a fund raising event for Abilities Foundation, arunr got special permission from the organizers to take my photograph as I received the Award. And before I got back home he had already shared the pictures on the forum thread.   
It is so touching when people I have never met in my life write to me after they have read the book. One young woman wrote how grandmother cried with joy when she prepared ela ada, a typical sweet prepared for Onam festival. From a young Kerala woman from Dubai to a retired professor from Canada, I have met so many wonderful people because of the book.  
RMG: What's your favorite recipe from your book?
AR : It is hard to pick one recipe as my favorite. Ellukari, the sweet, sour and mildly spiced curry with a fragrance of toasted sesame seeds and coconuts and chethumaangakari- the spicy hot green mango pickle are definitely two of them.    
RMG: What were some of the things you were uncompromising about as regards to your book; that you think should be given more attention in other cookbooks? (Language, recipe testing etc)
AR: I believe that in her New York Times article Anne Mendelson really summed up about the things I was uncompromising as regards to my book. She wrote: "Instead of trying to cover all menu bases that an editor might insist on, Ms. Ramachandran is free to concentrate on unorthodox categories, including amazingly diverse "curries" (sauced vegetable combinations), pickles and preserves, breakfast specialties, rice dishes associated with sacred observances and temple or rite-of-passage offerings. Other books have ably explored India's far southern territory, but Ms. Ramachandran reveals amazing range and depth in Kerala's Hindu vegetarian traditions. And American home cooks should find her introductions to ingredients, techniques and equipment accessible".
Regarding other cookbooks, each book is a personal journey of the author. Publishing houses have the final say and they often dictate how the content should be presented. It is up to each author to decide how and when they should compromise to these demands.
RMG: How do you determine your book's success, so far?
AR: The success of the book so far has been in receiving good reviews. Sales are alright, nothing fantastic. This is mainly because most sales are only through the internet.  Only a few specialty cookbook stores in the Unites States and Canada are carrying the book. This is because iUniverse do not accept returns and offer smaller discounts to booksellers. I hope this will change with the Star edition. Star editions offer industry standard discounts to booksellers and books are returnable.  
RMG: Anything you would have done differently?
AR: Of course I would have loved if a publishing house had picked up the book. Then again, I would not have had the freedom to include all of those historical facts and personal anecdotes.   
RMG: What next? What can we, as your fans, look forward to next from your kitchen/pen?
AR: I continue my research on Indian Ocean spice trade and the food history of south India. It was a pleasant surprise for me to learn about the tremendous interest people in the United States have in learning about Indian Ocean spice trade. At every presentation I make, I get more questions about this topic.  I also continue to write about this topic. I have contributed to two forthcoming publications - Encyclopedia on Entertaining through Time and Cultures to be published by Greenwood Press and Storied Dishes: a book with fifty women food writers donating recipes and the story/memory behind the recipes. 
RMG: Lastly, is there anything else you can tell us about yourself, your career, or the profession that would be interesting or helpful to others aspiring to write a cookbook?
AR: I have only a simple advice for aspiring food writers. Never give up your hope. Road blocks are many in the world of publishing- but if you have your heart in it, you will find ways to work around them.  

Book is currently available through amazon.com, barnesandnoble.com, and iuniverse.com. It would be wonderful if major book store chains in India would carry it when the Star title becomes available through international distributors at industry standard terms. 

Thursday, June 5, 2008

Pictures of our lunch in Vasai





Lunch -which I was supposed to help cook... well I did manage to stir the curry before I put it on the table - consisted of pomfret done two ways; in a curry of coconut juice flavoured with the ubisquitious bottle masalla and local cane vinegar, and also two rather large specimens stuffed with coconut chutney and pan fried in banana leaves (a dish I found very reminiscent of Parsi Patra ni machchi, couldn't help wondering if there is a common root to that dish) all eaten with rice. (I have pictures of this bit but bear with me, because they are on my phone and my phone and my computer are not on talking terms currently! )

The seasoning in the food was less than what we eat at home, but that was a good thing because it allowed us to taste the delicate flavours of the fish and the curry it was cooked in. Bessy fried the rest of the chutney she'd stuffed the fish with, in a tempering of Mustard and Curry leaves. Lunch was delicious. Generously seasoned with hunger, the tangy slightly spicy fish curry came together beautifully with the chutney that tasted of fresh coconut. We ate a lot, quickly and with our hands, the next bite being ready to enter our mouths before we'd finished with the last and were still picking morsels of plates and spoons long after our stomachs were full.

Sunday, June 1, 2008

Making East Indian Bottle Masalla for My Mumbai Cookbook





















The East Idian chapter of My Mumbai Cookbook will actually come up much later in my writing schedule but the legendary Bottle masala is only made this time of the year (January to April). It also has a 'secret recipe' so when I found a friend whose mom was ready to share the making of it, I grabbed the chance. I surmounted all odds to get there the stipulated weekend, planning things down to the 'p', prepacking on Friday, borrowing moms car (ours was in the shop). And I am so glad I did because the monsoons arrived in all their glory the very next week!



We'd planned to leave by 10 but I only woke at 8:45 when Bessy, the friend I was supposed to visit called to ask if we had left! A mad rush ensued as I pushed husband and son to get dressed and got baby and myself ready as well.



The Ghildiyal family, with assorted baggage, baby gadgets and actually left home in record time. (Well 11.00 was not bad since we had planned for 10.00 all things considered.) I am coming to a conclusion after Natasha was born that babies come with a Murphy's law chip embedded in them. That is why they will choose to poop the exact minute you step out of the house? Trow up the exact minute you finish buttoning them into their new dress OR and this is a classic.. Poop the moment you've changed them into a fresh diaper.



We arrived at our friends (the Machados) Vasai home in time for lunch and all of a sudden the mad rush seemed to slow down as beer cans were popped open and the men got comfortable in front of the cricket match on TV, while keeping an eye on the kids (my 2 and Bessy's 2) while us women got busy in the kitchen.



Lunch -which I was supposed to help cook... well I did manage to stir the curry before I put it on the table - consisted of pomfret done two ways; in a curry of coconut juice flavoured with the ubisquitious bottle masalla and local cane vinegar, and also two rather large specimens stuffed with coconut chutney and pan fried in banana leaves (a dish I found very reminiscent of Parsi Patra ni machchi, couldn't help wondering if there is a common root to that dish) all eaten with rice. (I have pictures of this bit but bear with me, because they are on my phone and my phone and my computer are not on talking terms currently! )



The seasoning in the food was less than what we eat at home, but that was a good thing because it allowed us to taste the delicate flavours of the fish and the curry it was cooked in. Bessy fried the rest of the chutney she'd stuffed the fish with, in a tempering of Mustard and Curry leaves. Lunch was delicious. Generously seasoned with hunger, the tangy slightly spicy fish curry came together beautifully with the chutney that tasted of fresh coconut. We ate a lot, quickly and with our hands, the next bite being ready to enter our mouths before we'd finished with the last and were still picking morsels of plates and spoons long after our stomachs were full.



After that sumptuous lunch, a nap was on the cards, we were in Vasai after all, where afternoon naps after a big meal of fish curry and rice are de riguer.



At 5 going on 6 (are you surprised?) that evening, Riki, Bessy's husband dropped us off to Bessys moms house while my husband valiantly babysat the kids. Thank god for him, because without his support, the next few hours of idyllic culinary exploration could not have been possible.



It was in the next few hours that Bessy's mom, Mrs Margaret Nunes was going to teach me how to make Bottle Massala, Sorpottel and Vindhaloo.



But before I get into the details let me tell you about East Indian Bottle Masalla. This magical spice mix is a bit like the legendary Ras el hanout, it seems to have every spice in the world in it, only as opposed to being made by merchants it is made by women at home and each home has a separate recipe. It is then used round the year to distinctively flavour East Indian cuisine. It goes into everything!







The making of this Bottle masalla is an annual event amongst the East Indian community. The annual supply is made and put down just prior to the monsoon when hot sunny days are guaranteed and used round the year.



Bottle Masala travels far and wide, with members of the community carrying it with them so they can replicate flavours of home in far off lands.



Like all Indian spice mixes, the spices for this masala are also dried in the hot sun, then each is individually roasted over a slow fire and either in a mortar and pestle or processed like the one I made in Vasai. Once we had roasted everything, it was all mixed up and taken to the local flour mill where it was ground in a special mill reserved for grinding masallas.



The resulting powder was left to cool down completely and then tightly-packed in air-tight, dry bottles (now plastic but beer bottles were once the container of choice which is how the masalla came to be called bottle masalla). The bottle is then properly sealed and will last a long time if kept away from sunlight and moisture.